The Ballroom Dances
Ballroom dances are partner dances; generally those that fit into one of the several categories below. The dances taught at Paper Moon Dance Center are listed in italics. In addition to the competitive dances, we offer instruction in Hustle (28-30 mpm) West Coast Swing, and Salsa. Click on the name of a dance to see more details. Note: tempos are listed in Measures Per Minute (mpm). To see our teachers and students doing some of these dances, visit our Videos page.
AMERICAN STYLE |
INTERNATIONAL STYLE |
||
Smooth |
Rhythm |
Standard |
Latin |
| Foxtrot (30-34 mpm) | Rumba (28-32 mpm) | Foxtrot (28-30 mpm) | Rumba (27 mpm) |
| Waltz (28-31 mpm) | Cha-cha (30 mpm) | Waltz (28-31 mpm) | Cha-cha (30 mpm) |
| Tango (28-30 mpm) | Mambo (48-51 mpm) | Tango (30-32 mpm) | Samba (50 mpm) |
| Viennese Waltz (52-58 mpm) | East Coast Swing (34-36 mpm) | Viennese Waltz (52-58 mpm) | Jive (swing) (44 mpm) |
| Peabody (60-62 mpm) | Bolero (24-26 mpm) | Quickstep (48-52 mpm) | Paso Doble (27 mpm) |
Bolero: Originally a Spanish dance in 3/4 time, it was changed in Cuba, initially into 2/4 time, then eventually into 4/4. It is now presented as a very slow type of Rumba rhythm. The music is frequently arranged with Spanish vocals and a subtle percussion effect, usually using Congas or Bongos.
Cha-cha: An exciting, syncopated, Latin dance, which originated in the 1950s as a slowed down Mambo, the Cha Cha gathers its personality, character, rhythm, basis, and charm from two major dance sources. It is a derivation of the Mambo through its Latin music, and it is also a stepchild of the Swing, as it is danced to a 1-2-3 step rhythm. The Cha Cha gets its name and character from its distinct repetitive foot rhythm.
Foxtrot: The Foxtrot remains the most popular social dance in the world today. Little did Harry Fox realize that his trotting on a New York stage in 1913 would become an overnight success. It has gone through many changes since that time, and is now comprised of more soft and fluid linear movements. The Foxtrot is the foundation for many of the social dances that followed. It is enjoyed by all age groups, for its ease of movement and smooth style. Foxtrot music is played by most social dance orchestras and is one of the easiest dances to learn in the American Style.
Hustle: The Hustle (Disco) is a member of the Swing family, and is like the West Coast Swing in pattern. It has a distinct flavor, utilizing Disco style music & revived partner style among nightclub dancers in the 70s. Hustle is danced to the contemporary pop dance music of the last 20 years. It is a fast, smooth dance, with the lady spinning almost constantly, while her partner draws her close and sends her away.
Mambo: The spicy Mambo as we now know it grew out of the Danzon (national music of Cuba), and grasped the imagination of the American dance scene at the close of World War II. Later, fast Swing-Jazz and upbeat Latin music joined in to form the updated and uninhibited Mambo. The Mambo is a spot dance and the steps are quite compact.
Merengue: The Merengue is a popular dance of Haiti and the Dominican Republic and is a truly lively Latin dance. There is an old tale about a very brave and famous military officer who was wounded in battle and developed a limp. A celebration dance was given for the great hero returning from the war. Rather than embarrass their hero, who limped on his wounded leg while dancing, all the men present favored their leg as well, & thus the Merengue was born.
Peabody: A fast Foxtrot during which the dancers may use many quick steps set against the figure called “open box.” It was popular in the larger ballrooms where dance space was not a problem.
Quickstep: As the name implies, the Quickstep is a very quick and lively dance, comprised of hops, skips and kicks. The dance began as a quick version of Foxtrot mixed with the Charleston, and musical “Jazz” influences.
Rumba: The Rumba was originally a courtship, marriage, and street dance that was African in origin. The Rumba met some opposition from society’s upper crust because of the suggestive body and hip movements. The characteristic feature is to take each step without initially placing the weight on that step. Steps are made with a slightly bent knee which, when straightened, causes the hips to sway from side to side, in what has come to be known as “Cuban Motion.”
Salsa: The word Salsa means sauce, denoting a “hot” flavor, and is best distinguished from other Latin music styles by defining it as the New York sound developed by Puerto Rican musicians in New York. The dance structure is largely associated with mambo type patterns and has a particular feeling that is associated mainly with the Clave and the Montuno.
Samba: The Samba is a lively Brazilian dance that was first introduced in 1917 and was finally adopted as a ballroom dance by Brazilian society in 1930. It is sometimes referred to as a Samba, Carioca, a Baion or a Batucado. The difference is mainly in the tempo, since the steps in all four dances are very similar. The style is to bounce steadily and smoothly in 2/4 meter. They say that the Samba was introduced in the United States in 1939 by the late Carmen Miranda.
Swing: The Swing is a very fast, acrobatic, lively dance made popular during World War II by the swing music of Benny Goodman, Artie Shaw, Tommy Dorsey and Glen Miller.
Tango: The American Style Tango is a progressive dance, moving along the line of dance using body movement. A staccato movement of the feet and flexed knees highlight the dramatic style of the Tango. This dance originated in the bordellos of Buenos Aires, Argentina, and is done in a slightly different manner than other dances. It is characterized by a quick, staccato action and stylized poses. (Not to be confused with Argentine Tango.)
Viennese Waltz: This dance originated in Mid-Europe some 400 years ago. The music is fast in tempo and sends the couples whirling around the floor--first one way and then the other. The Viennese Waltz originated in Austria. Joseph Lanner and Johann Strauss wrote the first waltzes in the early 19th century. In the middle of the 20th century, German Paul Krebs choreographed the Viennese Waltz style to which we dance today. The dance enjoyed a great deal of popularity not only in Europe, but also in America, and has been used in many Hollywood productions.
Waltz: The Waltz appeared as a fashionable dance in Bohemia, Austria, Bavaria and other parts of Europe in the late 1700's. Danced in 3/4 timing, the recurring, even beats of music send the dancers whirling around the floor enjoying the thrill of the Waltz movement. Danced in European courts in the mid 1700s, this romantic dance is an offspring of the faster Viennese Waltz in 3/4 time. The rhythm was gradually slowed down over time as songwriters of ballads and love songs chose to compose in a slower and more comfortable tempo. This dance has continued to rise in popularity at anniversaries, graduations, and weddings.
Use your mouse to hover over one of the Ballroom Dances above to see its description here...